بيل هينسون (Bill Henson) هو مصور أسترالي، ولد في 7 أكتوبر 1955 في ملبورن في أستراليا.[6][7][8]
| بيل هينسون | |
|---|---|
| معلومات شخصية | |
| الميلاد | 7 أكتوبر 1955 (65 سنة)[1][2] ملبورن[3] |
| مواطنة |  أستراليا |
| الحياة العملية | |
| المدرسة الأم | المعهد الملكي للتكنولوجيا في ملبورن |
| المهنة | مصور[4] |
| اللغات | الإنجليزية[5] |
| مجال العمل | تصوير |
| المواقع | |
| الموقع | الموقع الرسمي |
مراجع
- https://rkd.nl/explore/artists/269010 — تاريخ الاطلاع: 23 أغسطس 2017
- معرف الشبكات الاجتماعية وسياق الأرشيف: https://snaccooperative.org/ark:/99166/w60p4632 — باسم: Bill Henson — تاريخ الاطلاع: 9 أكتوبر 2017
- https://rkd.nl/explore/artists/269010 — تاريخ الاطلاع: 16 أكتوبر 2016
- وصلة : https://d-nb.info/gnd/122091418 — تاريخ الاطلاع: 24 يونيو 2015 — الرخصة: CC0
- http://data.bnf.fr/ark:/12148/cb120101943 — تاريخ الاطلاع: 10 أكتوبر 2015 — الرخصة: رخصة حرة
- "What becomes apparent when you see Henson’s work in person is the importance of the almost pitch-black darkness that, in whatever formal context he has devised over the years, always cloaks his forlorn, defiantly unneedy subjects, giving their run-down urban environments the look of remote desert outposts. It’s a black that seems both to be caked on the surface of the photographs, like tar or centuries of soot, and to recede infinitely into the background. It looks as solid as lead, a physical threat to the teens it blankets, and at the same time it’s as if the blackness were exuded by their bodies, forming a kind of paranormal manifestation of some feeling too intense and guarded to register in any other fashion. In its own peculiar way Henson’s black is as unique an achievement as, say, Robert Ryman’s white." Dennis Cooper (2002) The Photography of Bill Henson: Naked Youth, Artforum International, No. 6, p.94-97
- "As the new Biss recording of Mozart's K364 Sinfonia Concertante, the Andante movement only, repeats itself endlessly on my stereo, the sound of Richard Tognetti and the ACO orchestra at their absolute greatest washes over me like a tsunami, while my head is also spinning with the staggering beauty of a single gesture made by a woman riding the escalator at the Westfield Doncaster shopping centre, and with just how Tognetti's violin sounds like she looked. Well, there you have it. I call it millennial slippage. You might call it madness." Henson in interview with Amanda Smith, Artworks Broadcast:Sunday 15 August 2010 11:05AM, Australian Broadcasting Commission transcript, http://www.abc.net.au/radionational/programs/artworks/artworks-feature-bill-henson/3020240 Downloaded 26 May 2012
- NGV. Retrieved 8 February 2014 نسخة محفوظة 21 فبراير 2014 على موقع واي باك مشين.
وصلات خارجية
- الموقع الرسمي
- لا بيانات لهذه المقالة على ويكي داتا تخص الفن