الرئيسيةعريقبحث

وضع موسيقي

نوع من أنواع السلم الموسيقي
\relative c' { \clef treble \time 7/4 \hide Staff.TimeSignature c4 d e f g a b c2 }
سلم دو كبيرة (الوضع الأيوني Ionian)، سلم "مفاتيح بيضاء"


{ \key c \dorian \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 c4^\markup { Dorian mode, II, on C دو في الدوري الوضع} d es f g a bes c } }
{ \override Score.TimeSignature #'stencil = ##f \key c \phrygian \relative c' { \clef treble \time 7/4 c4^\markup { Phrygian mode, III, on C دو في الفريجي الوضع} des es f g aes bes c } }
{ \override Score.TimeSignature #'stencil = ##f \key c \lydian \relative c' { \clef treble \time 7/4 c4^\markup { Lydian mode, IV, on C دو في الليدي الوضع} d e fis g a b c } }
{ \override Score.TimeSignature #'stencil = ##f \key c \mixolydian \relative c' { \clef treble \time 7/4 c4^\markup { Mixolydian mode, V, on C دو في الميكسوليدي الوضع} d e f g a bes c } }
{ \override Score.TimeSignature #'stencil = ##f \key c \aeolian \relative c' { \clef treble \time 7/4 c4^\markup { Aeolian mode, VI, on C دو في الأيولي الوضع} d es f g aes bes c } }
{ \override Score.TimeSignature #'stencil = ##f \key c \locrian \relative c' { \clef treble \time 7/4 c4^\markup { Locrian mode, VII, on C دو في اللوكري الوضع} des es f ges aes bes c } }
الأوضاع الحديثة (دياتونية) على دو

في نظرية الموسيقى الغربية، الوضع الموسيقي (musical mode)‏ هو نوع من السلم الموسيقي مصحوب بمجموعة من السلوكات اللحنية المميزة. كانت الأوضاع الموسيقية جزء من التفكير الموسيقي الغربي منذ العصور الوسطى، وألهمت بنظرية الموسيقى اليونانية القديمة. تشتق كلمة mode من الكلمة اللاتينية modus والتي تعني "قياس، معيار، طريقة، طريق، حجم، اسلوب"(Powers 2001، مقدمة; قاموس أكسفورد الإنجليزي). مقابل الوضع في الموسيقى العربية هو المقام.

المزيد من القراءة

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  • Jowett, Benjamin (1943). Aristotle's Politics, translated by Benjamin Jowett. New York: Modern Library.
  • Judd, Cristle (ed) (1998). Tonal Structures in Early Music: Criticism and Analysis of Early Music, 1st ed. New York: Garland. (ردمك ).
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  • McAlpine, Fiona (2004). "Beginnings and Endings: Defining the Mode in a Medieval Chant". Studia Musicologica Academiae Scientiarum Hungaricae 45, nos. 1 & 2 (17th International Congress of the International Musicological Society IMS Study Group Cantus Planus): 165–77.
  • Nicolas Meeùs (1997). "Mode et système. Conceptions ancienne et moderne de la modalité". Musurgia 4, no. 3:67–80.
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  • Meier, Bernhard (1992). Alte Tonarten: dargestellt an der Instrumentalmusik des 16. und 17. Jahrhunderts. Kassel
  • Miller, Ron (1996). Modal Jazz Composition and Harmony, Vol. 1. Rottenburg, Germany: Advance Music. ممرإ 43460635
  • Ordoulidis, Nikos. (2011). "The Greek Popular Modes". British Postgraduate Musicology 11 (December). (Online journal, accessed 24 December 2011)
  • Pfaff, Maurus (1974). "Die Regensburger Kirchenmusikschule und der cantus gregorianus im 19. und 20. Jahrhundert". Gloria Deo-pax hominibus. Festschrift zum hundertjährigen Bestehen der Kirchenmusikschule Regensburg, Schriftenreihe des Allgemeinen Cäcilien-Verbandes für die Länder der Deutschen Sprache 9, edited by Franz Fleckenstein, 221–52. Bonn: Allgemeiner Cäcilien-Verband, 1974.
  • Powers, Harold (1998). "From Psalmody to Tonality". In Tonal Structures in Early Music, edited by Cristle Collins Judd, 275–340. Garland Reference Library of the Humanities 1998; Criticism and Analysis of Early Music 1. New York: Garland Publishing. (ردمك ).
  • Ruff, Anthony, and Raphael Molitor (2008). "Beyond Medici: The Struggle for Progress in Chant". Sacred Music 135, no. 2 (Summer): 26–44.
  • Scharnagl, August (1994). "Carl Proske (1794–1861)". In Musica divina: Ausstellung zum 400. Todesjahr von Giovanni Pierluigi Palestrina und Orlando di Lasso und zum 200. Geburtsjahr von Carl Proske. Ausstellung in der Bischöflichen Zentralbibliothek Regensburg, 4. November 1994 bis 3. Februar 1995, Bischöfliches Zentralarchiv und Bischöfliche Zentralbibliothek Regensburg: Kataloge und Schriften, no. 11, edited by Paul Mai, 12–52. Regensburg: Schnell und Steiner, 1994.
  • Schnorr, Klemens (2004). "El cambio de la edición oficial del canto gregoriano de la editorial Pustet/Ratisbona a la de Solesmes en la época del Motu proprio". In El Motu proprio de San Pío X y la Música (1903–2003). Barcelona, 2003, edited by Mariano Lambea, introduction by María Rosario Álvarez Martínez and José Sierra Pérez. Revista de musicología 27, no. 1 (June) 197–209.
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  • Wiering, Frans (1998). "Internal and External Views of the Modes". In Tonal Structures in Early Music, edited by Cristle Collins Judd, 87–107. Garland Reference Library of the Humanities 1998; Criticism and Analysis of Early Music 1. New York: Garland Publishing. (ردمك ).

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